Two girls stood silently holding a placard that read: ‘Forcing your daughter to get married is forcing her to get raped.’ The message speaks to a reality across the South Asian region where the priority for most families is to get their daughters married. On a sheet where attendees were penning messages to their mothers -- words they could not say aloud -- an anonymous note read: “Would you rather see me married or alive?”
The result was a phenomenal script with a stellar cast and a music which not only took the storyline ahead but also paused to reflect upon each moment. Satyajit’s rendition of the story has several of his beliefs reflected, including his anti-war stance, his love for performative arts, including various forms of classical dance, his love for history and regional history, amidst others, his stance against caste and class discrimination and oppression of the poor and the tyranny and subjugation of the ruling class
It is a neat division and the first part of 70 pages is the Kotia-Ketaki memoir. In the second section, Chandana picks up the narrative and weaves the micro family history of the Jonas family with the macro events of the late 19th century and her grandmother's journey that brought her to Santiniketan in the 20th century.
The rhetoric targeting these nations ignores the fact that they steer the very firms—Google, Microsoft, Adobe—that sustain Western dominance. This wasn't "loophole" migration. It was strategic resource acquisition. During the Y2K crisis, the U.S. was desperate for Indian talent to prevent a digital infrastructure collapse.
In the present era of AI and simulated visual and audio-visual graphic representations, the contributions of the first Bengali illustrations remain pivotal as they underscore the significance of a long history of various thought processes and diligent efforts which went behind shaping a path for generations of graphic artists in the decades to come to explore imagination and a world of fantasy.
Rising demand for housing and infrastructure, coupled with environmental challenges, remain primary issues around the world. These issues are exacerbated in countries like Pakistan where millions still live at or below the poverty line, in flimsy dwellings on the outskirts of cities, on river flood plains or near refuse sites.
“This was a film that needed to be made, so thank you,” said award-winning Indian filmmaker Anand Patwardhan, who helped bring After Sabeen to Indian audiences and whose own film ‘Reason’ highlights such killings in India.
Ultimately, it comes down to standing firm for what is pure and ethical, and standing against what is impure and unethical in our society today. Such conflicts can be resolved only at the level of higher understanding — the very foundation of what may be called Higher Morality.
What makes the book powerful is its refusal to romanticize either side of the debate. It acknowledges that local language education, when disconnected from global opportunities, can also reproduce exclusion. But it also warns against treating English as a silver bullet, instead framing it as one tool among many for dismantling structural inequalities. The book’s central contribution is to show, through stories and analysis, how subaltern learners themselves are redefining English, not as a colonial burden but as a means of agency, solidarity, and leadership.
India’s museums and heritage institutions are at a crossroads. The digital age offers incredible tools to preserve and promote culture, but it also demands clarity, intention, and collaboration. The future lies in building a community of professionals who understand both the value of tradition and the power of technology.
If you have ever felt the dopamine rush from a like or comment, or have scrolled past your bedtime, you are one of the millions entrenched in this system. According to recent studies, the average person spends two hours and 24 minutes on social media daily. Each interaction—whether it’s a curated ad, a filtered photo, or even a friend’s post becomes material that subtly shapes how we see ourselves and the world around us.
So, what is the smell of autumn about? Is it the change in weather, from an otherwise hot tropical condition or is it the festivals, the food, the lights and the colours? What is it that really makes this feeling so special? Perhaps it is a realisation of moments of loss and happiness and a sense of comfort - all strung across the same thread
Our daughter, Ileana Ann, was born in Dubai. However, now, at two years old. She’s being taught to know the anthem of India better than “Dil Dil Pakistan”. Just beginning to string together words, tottering between rooms with a giggle that sounds the same in any language. Born with a passport that bears the tricolor — yet half her heartbeat echoes from across the Wagah border.
Over the decades since the 1950s many Indian Armed Forces band masters composed numbers based on Indian folk music sourced from different parts of the country. After almost five decades, there has been slow phase-out of Western tunes and more works by Indian composers, many of whom are from within the armed forces themselves.
We are aware that the change in information is proportional to the total accumulative existing knowledge on a particular subject and hence this leads to its exponential growth. Yet no matter how much the processing power of AI is, it will still remain bound by the existing knowledge and the environment which produced it.
Together, these voices converged on common ground: universal education, ecological cooperation, equitable trade, soft borders, and a revitalised SAARC that works for people rather than politics. Or, as one participant Ayesha Ahmed Quadri from India put it: “In the hands of South Asia lie the seeds of unity, compassion, peace, humility, and growth, ready to blossom beyond borders and history.”
The poetry, essays, and the audio-visual montage accompanying Sarwar’s reading in California Plaza sought to bear witness to the long-term consequences of Radcliffe’s disinterested cartography. Nearly 80 years later, the India-Pakistan border still crackles with tension. Wars, cross-border strikes, and conflicts continue to scratch the scabs of Partition.
This effort is especially moving, considering the magnitude of lives lost in the Kargil conflict. In the 77-day Operation Vijay, India lost 527 soldiers—more than the casualties in the 14-month-long 1947–48 Jammu & Kashmir war, the 23-day Indo-Pak war of 1965, or even the 13-day 1971 war that led to the liberation of Bangladesh.
While a deep and brooding darkness engulfed Guru Dutt in the last few years of his life, a glowing light is now being focused on his amazing body of work – from Baazi (1951) to Baharen Phir Bhi yengi which was incomplete when the filmmaker died and was completed by his team and released in 1966.
