Today, as we bid farewell to the Dhaka-born singer once fondly called the “Dhake ki malmal,” one is reminded that the softest fabrics often endure the longest. Her voice was just that. Fine, delicate, yet enduring beyond time. And now, as that voice falls silent, it leaves behind not an emptiness, but an echo. An echo that will continue to drift through radio waves, old recordings and the private corners of memory.
Two girls stood silently holding a placard that read: ‘Forcing your daughter to get married is forcing her to get raped.’ The message speaks to a reality across the South Asian region where the priority for most families is to get their daughters married. On a sheet where attendees were penning messages to their mothers -- words they could not say aloud -- an anonymous note read: “Would you rather see me married or alive?”
The result was a phenomenal script with a stellar cast and a music which not only took the storyline ahead but also paused to reflect upon each moment. Satyajit’s rendition of the story has several of his beliefs reflected, including his anti-war stance, his love for performative arts, including various forms of classical dance, his love for history and regional history, amidst others, his stance against caste and class discrimination and oppression of the poor and the tyranny and subjugation of the ruling class
It is a neat division and the first part of 70 pages is the Kotia-Ketaki memoir. In the second section, Chandana picks up the narrative and weaves the micro family history of the Jonas family with the macro events of the late 19th century and her grandmother's journey that brought her to Santiniketan in the 20th century.
This production of matter, life forms and galaxies will keep on happening till the space is “exhausted”, and then the cycle reverses which will finally lead to time and space coming into equilibrium. This is the eternal Brahmakala cycle where all life is destroyed at its end.
As someone from Karachi, where heritage and culture find little importance and are often forgotten, where the metropolis pushes the seashore backward, the Sri Lankan experience felt surreal. The land of Ridi Vihare held impeccable beauty and gave us much to learn and take back.
The ‘peacemongers’ vowed to not only continue talking to each other, but to continue talking until they achieve their dream, their Sapan, of a South Asia with soft borders, or at least, ease of visas.
The common theme is a tilting of truth and in most cases glorification of Hindu nationalist icons. The clever undermining of truth and building up of ‘fiction as fact’ is the underlying theme of most of these films.
Attention must also be paid to the changing structural dynamics within South Asia where countries (including Bangladesh) are increasingly working with each other, moving away from a primarily India-driven engagement within the neighbourhood.
"Gandi Baat" serves as a microcosm of a larger issue within popular culture, normalizing the silencing of female voices and perpetuating harmful behaviors.
The postcards from Jamnagar frame some other stories that have emerged as a theme in the 'New India'. These are stories of unrivalled pomp and power, of material riches beyond compare, of an elite space where forces work differently from the way they work elsewhere on the planet.
Everywhere I went I was greeted with great warmth and hospitality. It is a symbol of the decades-long ‘Enduring Friendship’ between the peoples of Pakistan and Sri Lanka.
My passion was to strengthen SAARC, and I strongly felt that Rao’s decision was not appropriate.
For diaspora Indians around the world, Udhas became an emblem of their pining for their home back in India with his 1986 raging hit “Chitthi Aayi Hai” from the movie ‘Naam’, written by Anand Bakshi and composed by Laxmikant Pyarelal.
The mainstream Indian media, a section of which has mostly been a subject of the nationalist government’s monopolistic control, has often served the ends of the dominant elite
Sharply directed by Massimiliano Troiani, Sarabhai’s ‘Macbeth’ is an allegorical musical interpretation of this Shakespearean classic about power at any cost.
There is no feeling or empathy in AI. It can churn huge numbers and will be able to analyze, “think” and react to external inputs but has no wisdom and feelings. Till that happens humans will always have an upper hand.
Since his was the only hit parade of its kind for at least two and half decades, Sayani became a formidable name within the Hindi cinema industry.
The whole world now recognizes the spirit and zeal for our culture and heritage. Bangladesh's people's sacrifices will be truly appreciated and commemorated when every nation imbibes the sense to pay proper homage to their linguistic heritage.
