Today, as we bid farewell to the Dhaka-born singer once fondly called the “Dhake ki malmal,” one is reminded that the softest fabrics often endure the longest. Her voice was just that. Fine, delicate, yet enduring beyond time. And now, as that voice falls silent, it leaves behind not an emptiness, but an echo. An echo that will continue to drift through radio waves, old recordings and the private corners of memory.
Two girls stood silently holding a placard that read: ‘Forcing your daughter to get married is forcing her to get raped.’ The message speaks to a reality across the South Asian region where the priority for most families is to get their daughters married. On a sheet where attendees were penning messages to their mothers -- words they could not say aloud -- an anonymous note read: “Would you rather see me married or alive?”
The result was a phenomenal script with a stellar cast and a music which not only took the storyline ahead but also paused to reflect upon each moment. Satyajit’s rendition of the story has several of his beliefs reflected, including his anti-war stance, his love for performative arts, including various forms of classical dance, his love for history and regional history, amidst others, his stance against caste and class discrimination and oppression of the poor and the tyranny and subjugation of the ruling class
It is a neat division and the first part of 70 pages is the Kotia-Ketaki memoir. In the second section, Chandana picks up the narrative and weaves the micro family history of the Jonas family with the macro events of the late 19th century and her grandmother's journey that brought her to Santiniketan in the 20th century.
I am thrilled that Pakistan will be playing in India. I’m thrilled that this format allows an India-Pakistan encounter. Obviously, it’s something any cricket fan would look forward to. This is the World Cup and not a bilateral series, so it’s extra special.
And now Rita’s idea for a Tasveer Art Center, a progressive, secular, and inclusive safe place that would house a state-of-the-art auditorium, filmmaker's studio, art gallery, and a hall to hold up to 300 people among other cutting-edge facilities, is her latest dream project.
As we think of the relevance of ashram ideals in the thought of both Tagore and Gandhi, we realise that they were ecologically inspired. Gandhi Jayanti 2023 may help us consider the importance of an education engaging with our natural environment.
The industry prefers a winning formula to creative exploration, particularly in big-budget films populated by rocking stars with fancy fees. Will that change from hereon with the success of ‘Jawan’? We have on offer a new path for Bollywood, a path that can use its huge and unrivalled soft power to drive home some significant messages of the kind and in a way it has rarely attempted in a big-budget extravaganza.
The famed Afghanistan National Institute of Music, the country’s only music school, had to shut down its campus in Kabul after the Taliban's crackdown. It has temporarily relocated to Lisbon, Portugal, where 273 students, faculty members and staff have been granted asylum.
That the writer is Indian and male makes this book all the more remarkable. Puthran has captured not just the state of the sport in Pakistan but also the social, political, religious and administrative challenges women cricketers here face at every step.
India's pledge to attain Net-Zero carbon emissions by 2070, articulated by PM Modi at COP26 in Glasgow, UK underscores the nation's determination to combat climate change. In this context, higher education institutions take center stage for moulding future-ready policymakers.
In India alone, some 150,000 people lose their lives to road crashes every year, with more than five times that number injured or maimed for life. Pakistan, Bangladesh, Nepal and Sri Lanka have equally dismal or worse statistics in the matter of road safety.
Too much planning brings misery because we cannot predict the forces of the future and hence have no control over them. This obviously leads us to worry about the outcome. We should therefore follow the American maxim; “We will cross the bridge when we come to it”.
There was something profoundly moving to note that a deep philosophical insight given by Krishna Dvaipayana better known as Ved-Vyasa, the creator of the Gita and the Mahabharat, many millennia ago, should come to underpin the most defining event of the 20th century and beyond.
What we see in the problematic use of folk culture in Modern Indian art is the way the celebration of nature has been privatised and turned into a consumer item that becomes a part of the art industry.
The nation-states of Pakistan, India and Bangladesh categorise their citizens by nationality alone, with no room for emotion or relationship. People are separated from each other through violent narratives and intractable borders.
The elite in Pakistan was not committed to pre-independence reorganization, and the lack of this linguistic federal adjustment created tensions that India survived.
In Gita (Chapter 11, Verse 32) Lord Krishna says that “I am the "Kal" (Mighty Time) – destroyer of the world”. Oppenheimer said “I am become Death, the destroyer of worlds”, and this is extensively quoted.
The creation of the device has opened exciting possibilities in the field of brain-computer interface technology.
