Anurag believed strongly in the common civilization shared by India and Pakistan. “It seems visible even today looking at the twin sister cities, Delhi - Lahore and Mumbai - Karachi,” he said.
Spirituality is not religion. It is the state of mind that makes it understand that the truth is beyond the barriers of worldliness, religion, caste, creed, race, or geographical boundaries. It connects us to marvels of nature in a deep way, and subsequently to Universal Consciousness or the mind of God.
By the end of the book, what lingers is not just sorrow, but a quiet insistence that women’s inner worlds deserve to be witnessed. Mohua invites her readers, especially women, to stop apologizing for their contradictions, to speak even when their voices tremble.
In 2006, the popularity of Zubeen’s song “Ya Ali” in the film Gangster brought him fame and told the people of Assam that their native son was an honoured figure on a much wider stage. This is the song a Pakistani band sang recently in Karachi in tribute to their late Indian colleague, a move embraced across borders, prevailing over the current tensions between the two countries.
In the present era of AI and simulated visual and audio-visual graphic representations, the contributions of the first Bengali illustrations remain pivotal as they underscore the significance of a long history of various thought processes and diligent efforts which went behind shaping a path for generations of graphic artists in the decades to come to explore imagination and a world of fantasy.
Anurag believed strongly in the common civilization shared by India and Pakistan. “It seems visible even today looking at the twin sister cities, Delhi - Lahore and Mumbai - Karachi,” he said.
In February 2023, Chitwan National Park hosted the 3rd Asian Rhino Range Countries, which saw the adoption of the Chitwan Declaration for Asian Rhino Conservation, 2023 by delegations from Bhutan, India, Indonesia, Malaysia and Nepal.
It is impossible to take in the meticulously and painstakingly curated show, with more than 100 stimulating, multi-media works, spanning more than a century, in a single visit.
Released in the UK on February 24 and in Pakistan on March 3, the film is a refreshing masterclass on how to adhere to the classic romantic-comedy structure, delivering a delightfully fair representation of multi-heritage families in cosmopolitan London and Lahore.
But it was Akhtar’s few brief comments about the Mumbai attacks that spread rapidly on social media, picked up by mainstream media in Pakistan and India. Back home Akhtar had to defend his visit to Pakistan but his hosts. Faiz Festival organisers, have refused to comment on the controversy.
Pakistan’s progressive movement revolved largely around the great poet Faiz Ahmed Faiz, whose work Zia Mohyeddin so eloquently recited in his signature style, his distinctive, gravelly voice set him apart from others.
Before moving to Pakistan, Kishwar often accompanied her father to recordings after school hours in Mumbai. After marriage, with relations between the two countries deteriorating, she found herself progressively isolated from her family and the world.
If there ever were a perfect literary candidate for the Nobel Prize in Literature, it would be Salman Rushdie this year.
Several folktales from across the Indian sub-continent also speak about respect and honour of one’s elderly parents. The concept is also seen in Theravada Buddhism, often referred as 'the doctrine of the elders' (of the senior Buddhist monks). Thus, reverberations of the concept of filial piety are seen in spiritualism and folklore of South, Southeast and East Asia.
This story is often said to have encouraged the introduction of the word ‘serendip’ into the English dictionary, marking January 28 to be remembered as the day when the word entered the dictionary.
As busy evenings of youngsters flock over to Roopkawthar Kabbo, the narrative of the legend from yesteryears reverberates through each cup served and, for the uninitiated, these cups are the connecting dots of time when an answer comes with the query of “Who is this?”.
And yet, it is perhaps the reminder of these unfulfilled dreams, a never-ending quest, that is most relevant today, as we struggle through challenges that are at once global and personal, intricately and inextricably intertwined.
“Between the first Pakistani win at the Grammys, the first Pakistani film to be selected at the Cannes Film Festival, a Pakistani song topping the most-searched list on Google, local actors featured in international series, and the highest-grossing film in the history of Pakistani cinema, 2022 has been a banner year for Pakistani art,’ observes Surbhi Gupta, South Asia Editor at New Lines magazine.
According to a policy brief prepared by the Kathmandu-based NGO Greenhood Nepal, which is spearheading a project focused on illegal trade and sustainable use of medicinal orchids in Nepal, the decline in their numbers has been attributed to unsustainable harvesting and international trade of the plants used in ayurvedic as well as traditional Chinese medicine.
Pakistani writers are not only writing about love and romance, but also on feminism, religion, culture, socio-political, ethnic, and identity issues.