It is a neat division and the first part of 70 pages is the Kotia-Ketaki memoir.  In the second section, Chandana picks up the narrative  and weaves the micro family history of the Jonas family with the macro events of the late 19th century and her grandmother's  journey that brought her to Santiniketan  in the 20th century.
 

Today, the tape-jama survives on the margins of a rapidly changing marketplace. It is still found in local bazaars, though no longer a default festive purchase for children. Yet its significance lies beyond its material presence. The garment endures as a symbol of memory—of simpler times, of long summer afternoons, and of a cultural ethos shaped by resourcefulness and tradition. Its soft cotton folds carry stories of Bengal’s textile heritage, its artisanal practices, and its ability to absorb and reinterpret external influences. In doing so, the pinny becomes more than a childhood dress—it is a living archive of history and identity.

According to the latest (2024) survey by the International Mother Language Institute, 45 languages have been identified as existing now in Bangladesh out of which there are 11 indigenous languages including Lushai (Mizo)—that have become critically endangered. Based on UNESCO data, a handful of languages which have made it to the endangered list in Bangladesh are in such a forlorn state that only 5-12 older folks from respective communities can still converse in them.