As we think of the relevance of ashram ideals in the thought of both Tagore and Gandhi, we realise that they were ecologically inspired. Gandhi Jayanti 2023 may help us consider the importance of an education engaging with our natural environment.
Despite all my patriotic feelings, I do not recommend a visit to Kashmir. It is ill-organized and ill-prepared to receive the rush of tourists. It lacks elementary infrastructure, basic amenities, and essential facilities at present. Worse, the tourists are always at the mercy of the local mafia.
This production of matter, life forms and galaxies will keep on happening till the space is “exhausted”, and then the cycle reverses which will finally lead to time and space coming into equilibrium. This is the eternal Brahmakala cycle where all life is destroyed at its end.
As someone from Karachi, where heritage and culture find little importance and are often forgotten, where the metropolis pushes the seashore backward, the Sri Lankan experience felt surreal. The land of Ridi Vihare held impeccable beauty and gave us much to learn and take back.
As we think of the relevance of ashram ideals in the thought of both Tagore and Gandhi, we realise that they were ecologically inspired. Gandhi Jayanti 2023 may help us consider the importance of an education engaging with our natural environment.
The industry prefers a winning formula to creative exploration, particularly in big-budget films populated by rocking stars with fancy fees. Will that change from hereon with the success of ‘Jawan’? We have on offer a new path for Bollywood, a path that can use its huge and unrivalled soft power to drive home some significant messages of the kind and in a way it has rarely attempted in a big-budget extravaganza.
The famed Afghanistan National Institute of Music, the country’s only music school, had to shut down its campus in Kabul after the Taliban's crackdown. It has temporarily relocated to Lisbon, Portugal, where 273 students, faculty members and staff have been granted asylum.
That the writer is Indian and male makes this book all the more remarkable. Puthran has captured not just the state of the sport in Pakistan but also the social, political, religious and administrative challenges women cricketers here face at every step.
India's pledge to attain Net-Zero carbon emissions by 2070, articulated by PM Modi at COP26 in Glasgow, UK underscores the nation's determination to combat climate change. In this context, higher education institutions take center stage for moulding future-ready policymakers.
In India alone, some 150,000 people lose their lives to road crashes every year, with more than five times that number injured or maimed for life. Pakistan, Bangladesh, Nepal and Sri Lanka have equally dismal or worse statistics in the matter of road safety.
Too much planning brings misery because we cannot predict the forces of the future and hence have no control over them. This obviously leads us to worry about the outcome. We should therefore follow the American maxim; “We will cross the bridge when we come to it”.
There was something profoundly moving to note that a deep philosophical insight given by Krishna Dvaipayana better known as Ved-Vyasa, the creator of the Gita and the Mahabharat, many millennia ago, should come to underpin the most defining event of the 20th century and beyond.
What we see in the problematic use of folk culture in Modern Indian art is the way the celebration of nature has been privatised and turned into a consumer item that becomes a part of the art industry.
The nation-states of Pakistan, India and Bangladesh categorise their citizens by nationality alone, with no room for emotion or relationship. People are separated from each other through violent narratives and intractable borders.
The elite in Pakistan was not committed to pre-independence reorganization, and the lack of this linguistic federal adjustment created tensions that India survived.
In Gita (Chapter 11, Verse 32) Lord Krishna says that “I am the "Kal" (Mighty Time) – destroyer of the world”. Oppenheimer said “I am become Death, the destroyer of worlds”, and this is extensively quoted.
The creation of the device has opened exciting possibilities in the field of brain-computer interface technology.
The discussion highlighted how Pakistani movie and theatregoers lament the banning of Indian films in Pakistan and Indian audiences clamour for Pakistani dramas. Commonalities of language, music and culture developed over thousands of years cannot be erased, as elements in both countries are trying to do, rewriting history and marginalising ‘the other’.
The languages are Bengali (spoken in Bangladesh and India), Gujarati, Hindi (spoken in India and Nepal), Kannada, Malayalam, Marathi, Tamil (spoken in India and Sri Lanka), Telugu and Urdu (spoken in India and Pakistan).